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剧情提要
慶秀的繼母智恩擁有二十歲般的美貌和性感魅力,讓慶秀無法忍住對繼母的愛。 慶秀偶爾會偷窺父母的性生活,他對繼母的慾望也愈加強烈。某日,慶秀發現繼母偷偷找砲友上床,覺得自己遭背叛的慶秀,向繼母提出一項提議…
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
亡命竞速
艾斯与他手下的一队精英街头赛车手,在一个神秘组织威胁到他身边之人时,被迫卷入一项高筹码任务。在“四朋友”事件之后,他们发现自己竟在为恶名昭彰的“刺客教会”效力,并被指派去完成一项不可能的工作。然而,当他们不断突破极限时,却揭示了一个令人不寒而栗的真相——失败本就是计划的一部分。在这场肾上腺素飙升的惊悚之旅中,背叛、速度与生存激烈碰撞,真正的竞赛不仅为了胜利,更是为了活命。