清教徒

★ 3.8 播放:46万 更新:2026-04-23

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The暂无内容movie暂无内容starts暂无内容with暂无内容Annabella暂无内容(Margie暂无内容Newton),暂无内容an暂无内容attorney,暂无内容by暂无内容the暂无内容bedside暂无内容of暂无内容one暂无内容of暂无内容her暂无内容client,暂无内容a暂无内容young暂无内容drug暂无内容addict暂无内容in暂无内容a暂无内容recovery暂无内容clinic.暂无内容Before暂无内容he暂无内容dies,暂无内容he暂无内容tells暂无内容her暂无内容where暂无内容she暂无内容can暂无内容find暂无内容a暂无内容taped暂无内容diary暂无内容disclosing暂无内容all暂无内容the暂无内容terrible暂无内容secrets暂无内容that暂无内容have暂无内容been暂无内容going暂无内容on暂无内容in暂无内容this暂无内容small暂无内容town.暂无内容She暂无内容decides暂无内容to暂无内容stay暂无内容and暂无内容it暂无内容soon暂无内容appears暂无内容that暂无内容she暂无内容is暂无内容seeking暂无内容revenge暂无内容upon暂无内容all暂无内容those暂无内容who暂无内容had暂无内容harmed...

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不干了,我开除了黑心公司

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等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.